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Showing posts with label mache dolls. Show all posts
Showing posts with label mache dolls. Show all posts

Classic Body Proportions
for an Antique Shoulder Head Doll

There is so much good content in the backposts.  I thought this post by Edyth deserves reposting. 
~ Dixie

While there are no rules, there can still be guide lines.  A good general one is to make the doll about four times as tall as the shoulder head.

Immediately we can think of dolls that will not fit the proportions given here.  A late china head may have a very shallow shoulder. A fine early china may have a much deeper shoulder for the size of her face. An early papier mache so called milliner’s model  will be taller than this one to four norm. Many early dolls are elongated in this way.  To make one longer yielded a doll which was effectively larger for a given size head.  At the end of the 19th century the patent washables were also made longer in proportion to the shoulder head size, to have a bigger doll to sell and increase the price.

Now that we have noted a lot of the dolls that refuse to conform,  here are some of the guidelines I use when I am making a  body for an antique head, or selecting an old replacement body.

Two examples are shown:

A pink tinted china covered wagon style on a vintage but not antique body, needed arms when I found her.  The tan linen I used for the arms is more pleasing than a white or cream fabric for this deeply colored china head.



The china doll head is 6 inches tall. The one to four ratio tells us she will be 24 inches tall. The bend of her lap will be about half way or at the 11 ½ inch  to 12 inch mark.  Her arms will hang low enough to extend below this bend.



A glass eyed papier mache head has a new body made by me except for her original fabric hands which were salvaged. For the body of old Pennsylvania homespun sheeting I made for this papier mache head, I used similar proportions, and hand stitched  the replacement stockings above the knee bend.  The bend of the knee is a bit less than half the length of the leg.  Learning to make these simple cloth bodies is a tremendous help for a doll collector. Yes we had all rather collect early dolls with original clothing on perfect original bodies, however finding lovely old doll heads is a great way to have a nice collection at a modest cost.

Edyth O'Neill - My Red Cape

Antique Papier Mache Dolls



Alicia's flirty-eyed papier mache reminded me
of two dolls I saw at the Richard Wright auction last October.
Above is a wonderful glass-eyed papier mache doll.



I love the way that patina and wear
create an interesting surface on these old dolls.






Her apron is divine.


Look at the great shoes!



This doll below has side glancing glass eyes:





Here are some additional pictures of her details:













And last but not least, here is a Voit doll owned by Edyth O'Neill.







Enjoy!


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1840's Papier Mache Doll with Rare Flirty Eyes



Alicia Carver of Signature Dolls shared pictures of this lovely doll to post here in as inspiration for inspiration. At 18.5" tall, this so-called milliner's model has a kid body with wood lower legs and lower arms and a papier-mache head. Her head features an early 1850's style with long ringlets which are nicely modeled in the back. Alicia redressed her in period style clothing from antique silk velvet and early lace. Alicia says,
"What is most unusual about her are her flirty eyes which, according to Christiane Graefnitz, a renown papier-mache expert, means she was made by Andreas Voit as he is the only doll maker in Germany who used flirty eyes in the early dolls."







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It's Twins!

This lovely article was posted on Edyth's blog, and has been reposted here with permission. Such wonderful dolls, and for those of you doing experiments with molded hair these are good inspiration for the hair as well as the clothing. ~ Dixie

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At Round Top when I saw these adorable cotton wrappers or dressing gowns for infant twins, I was unsure just how to use them but I wanted them much!

A few months later the same dealer had them at a show in Boerne Texas. The price held me off. After leaving the show they were still on my mind and I asked Jack to turn around and let me go back and buy the treasures.



The dresses are both in splendid condition, fully lined in two different brown cotton prints. I date them about 1870, could be a bit later or earlier. At the time I had one 36 inch M and S superior doll, and began watching for another. By a marvelous stroke of luck, a second one arrived in the mail as a gift from a doll collecting friend! So now the two of them wear the wonderful dresses and sit side by side on top of a highboy in my bed room. The age of the dolls matches well with the garments.



Again the shoes tell a similar story, I bought one pair at the Comfort Antique shop 2 weeks back and friend Jean saw what I was doing and mailed me a matching pair for the other twin! Little by little, with the help of an understanding and indulgent husband and the generosity of friends, a lovely family of dolls in appropriate clothing is coming to be mine again. Blessings...Edyth O'Neill

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Inspiration: More Sculpted Hair



Martha Chase doll? Very small....

For some inspirational fun,
I've added more pictures of dolls
with sculpted hair.
Enjoy!

















And above is a doll I made a year or so ago,
inspired by a papier mache doll. I used a
pumpkin carving tool to make the hair.

~ Dixie Redmond



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Inspiration: Sculpted Hair



Truth be told as a child I liked dolls well enough, but I was more into playing role playing games with the neighborhood kids - usually a version of "Pioneer" where we met with disaster of some kind of another and had to find a way out. I fell into studying dolls as a result of loving old things first. The texture of age invites me into the story of the doll.



This papier mache doll above and below intrigues me. She was part of the Richard Wright Collection sold by the Skinner Auction company in October of 2009. I have been trying to figure out what inspires me about her. If I were going to make a doll inspired by her, here is what I find interesting:



Her round chunkiness speaks to me.
Someone with a sense of humor
paired these two dolls together.
They are the dolly version
of the Odd Couple.




Her face is simple and straight-forward
with the hint of a welcoming smile



And finally, her hair has a simplicity of style
yet the sculpted hair gives it a textural interest.

Maybe it's time to make
another doll with sculpted hair...
and a chunky physique...

~ Dixie Redmond


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Primitive Cloth Bodies, Endless Variety!


Doll heads without bodies were made and sold by the millions and millions from the mid 19th Century until well into the 20th. Some of these were later mounted on commercially made bodies sold separately, or on bodies which had suffered the loss of a head through breakage. But the most charming outcome was often a body made by loving hands at home, and looked it. A twill weave cotton was a popular choice of fabrics.


One example with a home made body is this doll with a blond Greiner head having an 1858 label, no extension. She is such a pleasant chunky little person, and delights me. She came to me as a doll with a good bit of facial damage, but has responded well to my efforts to remedy that. I have a nice dress started for her of a civil war reproduction print in brown. Her arms end just rounded off to serve her as hands. The torso is made in 4 parts, and included the thighs in front on that same piece. The handsewn body has a nice fanny shaped with pleating at the sides. The bottom parts of the legs are the usual 2 part pattern including feet. In short the body is an often seen very well made pattern for a doll, but one has to wonder why the hands were left so primitive?


A glass eyed doll head made by Andreas Voit in approximately 1850 has a hairdo collectors call “covered Wagon” style. The maker of her entirely handsewn body went at it in a no nonsense lets get this done way. The body is made with the upper thighs, the torso and the ARMS made all in one pattern shape, a front and a back cut alike. I feel that the leather arms and hands must have been added by someone along the time line of the doll, as they are well shaped and sewn and do not fit the old arms well at the joining. This type of arm did not provide much mobility, and a terrible tear in the front chest resulted in the cotton stuffing pouring out. I put a large patch in this place. So a one piece front and a one piece back plus lower legs were likely all that was done for this early pretty doll, 27 inches tall. She came to me with the head in many pieces, crushed beneath something in an attic long ago. I have rebuilt the head, far from perfectly, but she smiles at me now and I smile back, who has more than that? The illusion of life in her bright little black eyes could not be extinguished.


And then there is the body of the 10 inch papier mache doll head pictured fully dressed. The stained and limp old body she came with was leaking sawdust all over so could not very well be left as it was. The question was to patch it, or recover it, or replace it with something clean and sturdy.

The large paper mache head was on this body with ragged clothing and very tightly fitting old shoes. I began by taking off the sox, very holey, but charming. Inside the sox, the otherwise rag body has carved wooden feet! The feet are held on with tiny tacks, which DH said may be as old as mid 19th century. They are beautifully done, with distinct toes, not the least primitive. Were they made for this doll body? My husband thinks maybe so. Were they part of another doll or artist figure or creche figure? I would guess that. They have never been painted. It is amazing how closely the old shoes fit.

I carefully eased the head off the body, using the handle of a spoon to push against the fabric under the shoulder, and NOT against the fragile papier mache. The head has a patch inside the back curls. The top of the body was a surprise! There, made in the same piece with no seam at the neck, was a head shape! There was no face or indication it was ever used as a head, just wadded up and stuffed in the neck.

Why did the doll maker put a cloth head on the doll body? The entire old head and body is hand stitched, with back stitching for strength. The torso is cotton twill, the legs and upper arms smooth old cotton. The worn out leather hands, much patched, are lately attached with white thread unlike any other on the body, obviously not original or even with her a long time.


Now to the stuffing! Some parts were stuffed with sawdust. I opened a seam here and there and removed that, stuffed cotton gently and not too tightly in place, and sewed the seams back together. Some parts were stuffed with cotton, I did not bother those. The top of the body had a great deal of wadded up newspaper, the Baltimore Clipper of 1860. Reading all those notices in that is fascinating! One notice is about the Mount Vernon ladies society purchasing Mt Vernon from a Washington descendant. Along with the sawdust of a lower leg was a wad I think says 1861. I debated what to do with the doll's interesting extra personality! I pictured it in an email to friend Helen, who said I should call the old cloth doll “Inner Self”. I made a fresh body for the papier mache head and dressed it in a nice old dress I bought for her. I can keep the old body, feet showing and head lightly stuffed and set it around naked with the rest of the dolls. It seems too interesting to cover up. The newspaper is in a plastic sheet cover to protect it and help flatten it. There is a name inside the papier mache head in pencil, not really old writing, “Ruth Hancock” I believe. Maybe this is the person who mended the curls in back. Or it could be the name of the original owner. This great 36 inch doll often sits beside her alter ego, Inner Self.



The study of old cloth doll bodies is a never ending story of surprises. If possible to patch or restore them lightly they should stay with or on the doll to add interest. I invite you to add links to pictures of some you have found in the comments section. ~ Edyth O'Neill